Multicultural Titles: Home

Grade 9-12

On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie -- a good life. But after they leave Port-au-Prince, Haiti, Fabiola's mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit's west side; a new school; and a surprising romance, all on her own. Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?

Grade 9-12

From the Back Cover
SIXTEEN-YEAR-OLD STARR CARTER moves between two worlds: the poor black neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. Khalil was unarmed.

Soon afterward, Khalil’s death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Starr’s best friend at school suggests he may have had it coming. When it becomes clear the police have little interest in investigating the incident, protesters take to the streets and Starr’s neighborhood becomes a war zone. What everyone wants to know is: What really went down that night? And the only person alive who can answer that is Starr. But what Starr does—or does not—say could destroy her community. It could also endanger her life.

Angie Thomas’s searing debut about an ordinary girl in extraordinary circum-stances addresses issues of racism and police violence with intelligence, heart, and un-flinching honesty.

This collector’s edition of the acclaimed, award-winning novel contains a letter from the author; the meanings behind the names; a map of Garden Heights; fan art; the full, original story that inspired the book; and an excerpt from On the Come Up.

Jerome, a young black boy gunned down while playing in a park with a toy gun, invites readers to bear witness to his story, to the tragedy of being dispatched simply because of a policeman’s internalized prejudice masquerading as fear. One day at school, while he and his new friend Carlos are being bullied, Carlos pulls out a toy gun to scare their attackers. Afterward, he gives it to Jerome so he can have a chance to play with it, to pretend that he is in charge. But when he is shot in the back while running from the police, his soul leaves his body and he becomes one of the army of ghost boys hoping to communicate with those still consumed with racial bias. While looking in on the preliminary court hearing, Jerome realizes that the police officer’s daughter can see and talk to him, and together they try to understand how the world around them could be so cruel. Rhodes (Sugar, 2013; Towers Falling, 2016) beautifully weaves together the fictional and the historical—Jerome comes across the ghosts of real-life individuals like Emmett Till and Trayvon Martin—in this gripping and all-too-necessary novel about police brutality, injustice, and the power of bearing witness to the stories of those who are gone.

— Rob Bittner

Gr 9 Up—Justyce is an African American teen caught between two worlds. He knows that the education he's receiving at a private school will grant him more economic opportunities, however he begins to question the effects his private school education on his own identity. Some of his classmates believe that the racial pendulum has swung too far, giving African Americans an unfair advantage over their white counterparts. The kids he grew up with believe Justyce has assimilated too much and has forgotten where he came from. He questions his blackness, his relationship with his biracial girlfriend, and his attraction to his white debate partner Sarah Jane. Through a series of journal entries, Justyce attempts to figure out his place in the world by exploring the life of Dr. Martin Luther King. A violent altercation between a retired white police officer and his best friend causes Justyce to examine what it means to be an African American male in 2017. The length and pace of this well-written story make it a perfect read for reluctant and sophisticated readers alike. The main characters are well balanced and will resonate with teens. However, the voice of African American women is largely absent from the narrative. The characterization of Justyce's mother and his girlfriend are one-dimensional compared to some of the other protagonists. Still, this important work should be read alongside Jason Reynolds's and Brendan Kiely's All-American Boys and Kekla Magoon's How It Went Down. VERDICT An good choice for school and public libraries.

Grade 9-12

Julia’s older sister, Olga, was always polite, respected her parents, and eagerly took up the Mexican traditions her mother insisted upon. After Olga dies in a car accident, Julia is thrust into a spotlight she’s not ready for. She’s too angry, too unappreciative, too American, which results in her mother shutting out her social and love life. Then Julia discovers Olga’s trove of secrets, which hint at a hidden life. As Julia pursues the mystery of the real Olga, she begins to find out that more than one of her family members has secrets. This bildungsroman immigrant story captures the chaotic life of a young person trying to navigate two worlds while trying to follow her own path. Julia wants to leave Chicago and attend college, while a “perfect Mexican daughter” would stay put, get a job, and contribute to the family. Sánchez weaves these threads along with a tragic story of distant sisters to create an earnest and heartfelt tale that will resonate with teens.

— Reinhardt Suarez

Grade 9-12

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, Xiomara Batista has learned to let her fists and her fierceness do the talking. She pours all her frustration and passion onto the pages of a leather notebook

Grade 9-12
Young Ju’s parents don’t want her to become too American, and Young Ju is ashamed of them. It’s the classic immigrant child conflict, told here in the present tense with the immediacy of the girl’s voice, from the time she’s a toddler in a small Korean village wondering why the adults talk about America as “heaven.” Then there’s her bewilderment as a first-grader in the U.S. trying to learn the rules and understand the words and the accents. Each chapter is a story in itself, with dramatic surprise or quiet reversal. The tales blend together into a beautiful first novel that takes Ju through her teenage years until she’s an A-student ready to leave for college. The focus is on family and what happens at home. Her father, furious at having to work two laboring jobs and grief-stricken at his mother’s death in Korea, becomes an increasingly violent alcoholic. He forbids Young Ju from seeing her best friend. She disobeys him, but she’s careful never to bring her friends to her shabby home. Most moving is the chapter about her visit with her father to the Immigration Office. He’s distrustful, enraged that he’s so helpless and that she’s in control; she’s embarrassed by his behavior even as she feels his anguish. Young Ju’s mother is a strong figure in the background until the girl suddenly sees her as a person, who tells her, “In America, women have choices.” This isn’t a quick read, especially at the beginning when the child is trying to decipher American words and customs, but the coming-of-age drama will grab teens and make them think of their own conflicts between home and outside. As in the best writing, the particulars make the story universal. Steer teens who like this on to Amy Tan’s adult book The Joy Luck Club (1989).

Lyrical, mysterious, and nuanced, the poignant moodiness of this first novel by a 28-year-old Korean American lingers long after the final page is turned. It deals with the imprint the immigrant experience in America makes on a person’s psyche. Lee tells the story in the voice of Henry Park, a second-generation Korean who works as a privately employed spy and at home deals with a shaky marriage and the death of his young son. Assigned to get close to an up-and-coming Korean American politician, Park suddenly discovers he must do things he has tried to avoid all his life--face up to his roots, evaluate his loyalties, find his voice, and understand the pain he carries deep within. Beautifully written and intriguingly plotted, the novel interweaves politics, love, family, and loss as Park starts to make sense of the rhythm of his life. As he does, his experiences illuminate the many-layered immigrant experience in general, and the Asian immigrant experience in particular, in a way that many readers will understand and appreciate

Grades 8-11

Sixteen-year-old Frances “Frenchie” Dusome, one of a dwindling number of Métis, and his “found” family try to survive on the run from the Recruiters, whites who are capturing First Nations members to harvest their bone marrow and sell it as a remedy for the lost ability to dream. This dystopian novel is rich in atmosphere and texture, from the measured cadence that suggests the rhythms of ritual storytelling, to slang that situates it in a postapocalyptic North America, to the spare yet evocative descriptions of the effects of power and carelessness on the environment. It is a story told by an insider, for insiders, but done so well that even those on the outside gain some degree of understanding by reading it. Dimaline never depends on theatrics or gore to expose the callous and horrific problem at the root of her plot; rather, her details convey the matter-of-fact nature of cruelty, and her characters express the consequences. A subtext to the plot casts a spotlight on the effects of co-opting bits and pieces of a culture without fully understanding how they fit into a seamless whole: How long can we borrow or steal from others without losing ourselves in the process? Put this book, written by a Canadian First Nations author, in your library, and make it known.— Cindy Welch

Grades 10-12

There are no easy life choices for Carson, Maggi, and Lewis as their lives intersect on their reservation. Carson has glory-filled dreams of getting off the reservation by winning a band competition yet has a hard time being committed to the work needed for the idea to succeed. He also wishes that Maggi, who has moved back from the city, will give his budding first-love feelings a chance. Although Maggi finds the band fun and Carson a great friend, she is committed to exploring what a relationship would look like with white 30-year-old Jim, who is heavily pursuing her affections. Though the characters are struggling personally, they are all united against a restaurant called Custer’s Last Stand, and soon the community members come together to make their own stand against a racist restaurant owner who proudly display his “No Indians” sign. Readers will find a continuing cast of characters from Gansworth’s If I Ever Get Out of Here (2013) while also getting a music-laced perspective of young, contemporary Native Americans’ struggles. — Jessica Anne Bratt